Sunday, February 26, 2012

IT JUST DEPENDS WHAT KIND OF CAR YOU ARE

Noel-sung vinyl only track of (What's the Story) Morning Glory

Don't Look Back in Anger can suck it, compared to this

Wednesday, February 22, 2012

the xx

I've had the xx on replay for I don't even know how many times. Oliver + Romy's vocals are that perfect male/female vocal combo that seem to be so rare and are in such harmony, it reminds me of the Pixies and Black Francis and Kim Deal in the very best way possible. Their debut album xx is one of those rare albums that convey so much emotion and feeling it's at points almost feels like you're intruding into something special. It has a really intimate, melodic quality to it. Lonely guitar rifts coupled with evocative vocals make this arguably the best thing I've listened to in a very, very, very long time.

Listen to:"Islands", "Heart Skipped A Beat" and "Shelter"

Tuesday, February 14, 2012

St. Vincent...on Gossip Girl

Weird, yes I know. But I saw it. And couldn't resist. It really is true.

Around 20min -ish to the end.
http://cwtv.com/cw-video/gossip-girl/

Episode "Crazy, Cupid, Love". Song is "Cheerleader" off St. Vincent's new album Strange Mercy.

And the episode ends to "Baby Says" by The Kills.

Pretty awesome music for an episode of Gossip Girl

Thursday, February 2, 2012

St. Vincent.

So lately I've been listening to a little St.Vincent (stage name of Annie Clark). It's this strange, enchanting mix of guitar riffs, airy melodies, and interestingly placed synthesizers. And of course, they're Annie Clark's voice. HER VOICE. It has that perfect balance of strong but vulnerable. She sings with such longing, and such feeling that it leaves your heart hurting from how beautiful it is. It all culminates into  that kind of music you can't classify and you don't know WHY you like it, but you just DO. It's infectious. A few standouts from her newest album (Strange Mercy) include "Champagne Year" (refers to the year in which you turn the same age as your birthday) - which is has an interesting balance of empty instrumental sections and powerful, questioning sections that highlight her amazing voice. It seems almost like an ode to midlife crisis with the lines "I make a living telling people what they want to hear" - it captures that feeling we all have, we all know. The feeling of being false to yourself and living in a lie. And of course, there is the title song "Strange Mercy" which is quirky and catchy, with interesting riffs and captivating vocals which border on hazy. It also has another one of those empty instrumental sections which seem pivotal to Clark's work. Another one of my favorites is "Actor Out of Work" from her 2009 album work which borders on pop with bubbly riffs and repetitive lyrics and runs. Similarly pop influenced is "Marrow" off that same album in which she chants "H-E-L-P, help me, help me". St. Vincent seems to simply have something to offer everyone.